Work

A curated look across fashion, beauty, commercial, fitness, and art — led by feature-tier work from each category.

Tash Williamson in a full-length seated portrait in a rattan wingback chair, wearing a sheer cream crochet dress, one leg bent up onto the chair seat and the other extended to the floor, one hand resting near her chin and the other on the armrest, wavy dark curls with blonde balayage, gazing directly at the camera with sunlit potted palms behind her.
Tash Williamson in a side-angle studio portrait against a plain warm tan backdrop, wearing a black slip dress with thin straps, one hand raised behind her head tousling her loose curly hair with blonde balayage, the other hand on her hip, looking back over her shoulder at the camera.
Tash Williamson in an outdoor portrait standing among large lakeside boulders, wearing a sheer magenta halter mini dress with tie-side straps, sunglasses pushed up into her curly ponytail, one hand raised to her jaw, lips parted as she looks back toward the camera.
Tash Williamson in an extreme close-up with her chin tilted down and gaze cast downward, soft diffused light haloing dark curly hair streaked with blonde over one shoulder; smoky rust-terracotta eyeshadow, winged liner, and glossy mauve-pink lips catch the light, a thin gold ring threaded through her nostril, and an oversized dark filigree heart-shaped drop earring with a glittered floral overlay dangles past her bare collarbone above a woven beige wrap top.
Tash Williamson in a close beauty portrait looking off to the side, wearing a black faux-fur bucket hat that frames wavy ash-blonde balayage hair falling past one shoulder; warm bronze-copper eyeshadow and glossy mauve-brown lips pair with a small nose ring and layered fine gold necklaces at the collarbone, one arm raised in a black patent-leather opera glove above a black patent off-shoulder top, shot against a plain white studio background.
Tash Williamson in a three-quarter beauty portrait with sleek center-parted hair in blonde balayage, sharp black winged eyeliner and glossy deep-berry lips giving a direct, composed gaze; a small gold hoop earring and layered delicate gold necklaces with a tiny pearl charm rest against bare collarbone above a black patent bandeau top, lit with moody directional side light against a plain backdrop.
Tash Williamson seated sideways on a black Honda CBR500R sport motorcycle in a dark studio bay lit with dramatic red and green gels, one hand pressed flat to her chest, chin lifted with a direct, sultry gaze into the camera; wearing a fitted dark olive long-sleeve turtleneck bodysuit and black boots resting on the bike's foot pegs, hair slicked back, small hoop earrings.
Tash Williamson in a three-quarter studio portrait against a plain warm-gray backdrop, chin dipped and eyes cast down with a calm, closed-mouth expression, dramatic side lighting catching her face and voluminous curly balayage hair; wearing a fitted white crop tee and blue jeans with both hands tucked into her back pockets, a small gold nose ring and layered fine gold necklaces at her throat.
Tash Williamson in a warm, backlit studio headshot from the same white-tee session as two companion shots, head tilted with arms crossed, laughing with a wide open smile and bright teeth; the same voluminous curly balayage hair and layered gold necklaces, golden rim light outlining her hair against the plain backdrop.

Fashion

Tash Williamson in a full-length seated portrait in a rattan wingback chair, wearing a sheer cream crochet dress, one leg bent up onto the chair seat and the other extended to the floor, one hand resting near her chin and the other on the armrest, wavy dark curls with blonde balayage, gazing directly at the camera with sunlit potted palms behind her.
Tash Williamson in a side-angle studio portrait against a plain warm tan backdrop, wearing a black slip dress with thin straps, one hand raised behind her head tousling her loose curly hair with blonde balayage, the other hand on her hip, looking back over her shoulder at the camera.
Tash Williamson in an outdoor portrait standing among large lakeside boulders, wearing a sheer magenta halter mini dress with tie-side straps, sunglasses pushed up into her curly ponytail, one hand raised to her jaw, lips parted as she looks back toward the camera.
Tash Williamson in the same rattan chair and crochet dress as a companion shot, this time reclined back with head tilted and eyes softly closed, one hand lightly touching her curls near her shoulder and legs crossed at the knee, hazy backlit sun filtering through the plants behind her.
Tash Williamson in a full-length night street shot, caught mid hair-toss with her curly hair flying upward, one hand on her hip in profile, wearing a fitted black long-sleeve mini dress and sheer-paneled thigh-high boots, standing before a hedge with a lit street sign and city lights behind her.
Tash Williamson in a full-length crouching pose on all fours against a plain white studio backdrop, wearing a black patent bra top and high-waisted shorts with matching patent gloves, one gloved hand reaching toward the camera, thigh-high black boots, sleek straight hair swept to one side, an intense direct gaze.
Tash Williamson in a waist-up portrait, a draped burgundy knit sweater falling open across her chest and one bare shoulder, one arm raised overhead with her hand resting near her hair, loose curly hair with blonde balayage, set against a vintage room with a gilt-framed landscape painting, dark wood furniture, and potted plants behind her.
Tash Williamson seated on the closed lid of an upright piano in a denim zip-front vest dress, legs crossed at the knee and one hand resting on the piano's surface, white chunky platform sandals, short curly hair, a vintage room with a staircase and a guitar visible in the background.
Tash Williamson in a full-length nighttime portrait, leaning back against a stone column beside a dark paneled doorway, wearing a black long-sleeve mini dress with a ruffled sweetheart neckline, sheer black thigh-high stockings and ankle boots, one arm bent against the column as she gazes directly at the camera, warm light glowing through the glass door panels behind her.
Tash Williamson seated on a wooden crate in a sunlit studio, legs crossed at the knee with black over-the-knee suede boots, gazing up and away with a thoughtful, closed-mouth expression, one hand resting on the crate beside her, wearing a white button-down shirt open over a raw-edge denim corset bodice, loose curly hair with dark-to-blonde balayage catching the light.
Tash Williamson in a close, moody waist-up portrait, leaning forward with her hair falling loosely over one shoulder in soft curls with blonde balayage, wearing a cream crochet dress with a cutout waist, dramatic low side lighting catching her face as she looks back over her shoulder, blurred vintage furniture and floral wallpaper in the background.
Tash Williamson in a full-length low-angle shot seated on the stone steps outside a lit Chanel storefront at night, leaning back on one braced arm with the other hand resting on her hip, legs crossed at the knee, chin dipped and eyes closed in an unguarded moment, wearing an open black wrap coat with leather sleeves over a black mini dress and thigh-high suede boots with gold block heels, curly hair loose over one shoulder.
Tash Williamson standing in a three-quarter shot in an elegant interior with heavy drapery, an ornate table lamp and framed art behind her, one hand raised into her hair and the other resting on a polished wood console, gazing off to the side with lips parted, a pink chunky-knit halter minidress with a plunging draped cowl neckline that bares her sides.
Tash Williamson in a closer waist-up crop from the same sunlit crate setup as a companion shot, chin lifted and gazing up to the side with lips softly parted, curly balayage hair falling loosely past the shoulders, wearing the white shirt open over the frayed denim corset piece, a thin watch visible at the wrist resting near the crate's edge.
Tash Williamson in a studio waist-up portrait against a warm beige backdrop, one hand raised into her curly hair and the other holding a black patent vintage box purse with a gold clasp at her side, black textured spaghetti-strap slip dress, gold necklace and nose ring, gazing off to the side with a serious, sultry expression.
Tash Williamson in a close, dynamic frame leaning sideways into the Chanel doorway at night, one arm stretched overhead gripping the door's iron grille and one knee bent and lifted against the frame, a direct sultry gaze at the camera, off-shoulder black mini dress with a plunging neckline, sheer tights and thigh-high boots, curly hair falling loose.
Tash Williamson kneeling on a red-draped stage, legs folded to one side, a red velvet halter gown with a high slit, a bouquet of red and gold roses cradled in her lap, hair swept into a bun with curled tendrils framing her face, looking down and to the side with a soft smile, black pointed pumps, faux flowers scattered on the platform around her.
Tash Williamson crouched low in a nighttime parking lot, wearing a nude short-sleeve top and a fringed camo maxi skirt with cargo pocket detailing, one hand raised near her chin, dark ankle boots, waves of blonde-highlighted hair loose around her shoulders, dramatic lens flare from streetlights glowing behind her.
Tash Williamson in a full-length shot seated on the storefront steps at night, one hand raised thoughtfully to her cheek as she looks off to the side in near-profile, the other arm relaxed at her side, black leather-sleeved coat over a mini dress, thigh-high boots crossed at the ankle, curly hair with blonde highlights falling forward.
Tash Williamson seated full-length on the wooden crate with thigh-high black suede boots crossed at the ankle, holding a small black tasseled pouch raised near shoulder height in one hand, meeting the camera directly with a slight smile, white shirt open over the denim bustier, curly balayage hair loose around the shoulders.
Tash Williamson in an outdoor close-up portrait framing her head and chest, leaning in close to the camera, a black crochet halter top trimmed with cowrie shells, wavy curly hair with blonde highlights cascading over one shoulder, soft greenery blurred behind her, gold jewelry, a direct, sultry gaze.
Tash Williamson mid-stride on an outdoor runway, walking toward the camera with arms swinging and a broad open smile, a pink scoop-neck one-piece swimsuit paired with white knee-high boots, braided hair, other models and a seated audience with phones raised visible behind her against a colorful mural backdrop.
Tash Williamson in an outdoor golden-hour side profile, face tilted upward with lips parted, holding a leafy tree branch across her body with both hands, wearing a black triangle bikini top and a tan crocheted wrap skirt, long curly hair lit from behind with warm sunlight, a statement gold earring visible at her ear.
Tash Williamson in a full-length seated portrait on lakeside rocks, wearing a fitted beige textured halter mini dress, sunglasses lowered partway down her nose with one hand touching them and the other braced on the rock behind her, legs crossed at the knee, bare feet, loose curly hair, wooded greenery blurred behind her.
Tash Williamson descending a curved staircase in an elegant hotel lobby, one hand resting on the marble banister, wearing a strapless burgundy jumpsuit with a keyhole cutout at the waist and wide-leg trousers, nude pointed pumps, soft curly hair and a direct gaze toward the camera, mirrors, wingback chairs, and a chandelier reflected in the background.
Tash Williamson seated upright in the rattan chair, legs crossed and drawn onto the seat, one hand resting on the chair's armrest and the other raised to her hair, chin dipped as she glances toward the camera, potted greenery framing her on both sides.
Tash Williamson kneeling on a canopy bed draped with sheer white curtains, her body turned away from the camera as she glances back over one shoulder, one hand raised to sweep her hair back, wearing a black off-the-shoulder top with dropped wide sleeves and matching wide-leg pants, layered necklace and hoop earrings, in a bright white bedroom setting.
Tash Williamson seated upright on a large lakeside boulder in a white strapless tube top and cuffed denim shorts, one arm draped loosely over a bent knee and the other hand braced on the rock, calm gaze toward the camera, loose curly hair and a thin necklace, wide lake water and a cloudy sky filling the background.
Tash Williamson in a full-length side-profile shot reclining against a white boucle ottoman in a styled studio corner, one hand resting on the furniture and the other trailing near her hip, fanned dried branches framing her from behind, strapless red jumpsuit with wide-leg trousers and black patent pointed pumps, curly hair blown back, calm unsmiling gaze toward camera.
Tash Williamson in a full-length reclining shot lying back against a lace-trimmed daybed with sheer white curtains and clusters of white orchids and red roses behind her, one arm raised overhead and the other hand resting near her thigh, same strapless red jumpsuit as a companion shot, head tilted back in a soft, sultry expression, curly hair loose.
Tash Williamson in a full-length seated shot back in front of the dried-branch backdrop from the same red-jumpsuit set, one hand on her hip and legs crossed, head tipped back in a broad open-mouthed smile, same strapless red jumpsuit and black patent heels, a livelier, joyful contrast to the moodier companion frames.
Tash Williamson kneeling on a plush white rug and leaning to rest her cheek against one hand while the other touches the floor, wearing a black wide-leg pantsuit open over a red halter cutout top, gold rings and a watch visible, in front of a wedding-style backdrop of ivory drapery, burgundy and blush floral bouquets, and pillar candles.
Tash Williamson seated on a sunlit wood floor between tall potted palm and ficus plants, both arms raised overhead gripping the leafy branches, head tilted back with eyes closed, one leg extended and the other bent, bare feet, wearing a cream crochet mini dress with a tied bodice and fringed hem, warm sunbeam lighting across her skin.
Tash Williamson reclining against the arm of a cream sofa with her legs kicked up and crossed, black patent pointed-toe heels on, gripping the sofa arm with one hand and laughing with an open, playful smile, wearing a short red bodycon mini dress, loose curly balayage hair, in a cozy living room with a patterned rug.
Tash Williamson reclining on a tan leather couch against a white brick wall, one arm raised with her hand tucked into a high ponytail, head tilted and gazing steadily at the camera, wearing a white ribbed halter top and light-wash straight-leg jeans, legs drawn up onto the cushions, gold hoop earrings and a layered necklace.
Tash Williamson in a waist-up night portrait, one hand raised into voluminous curly balayage hair as she gazes off to the side, wearing a black plunge-neck dress with a bow at the bust and glossy black pleather sleeves, backlit by an illuminated storefront sign on a city street.
Tash Williamson in a side-profile waist-up portrait beside a dark antique wood armoire, glancing back over her bare shoulder in a backless raspberry ribbed-knit halter dress, long curly caramel-highlighted hair falling down her back.
Tash Williamson reclining back on the wooden crate with her torso arched, head tilted back and eyes closed, one hand resting atop her hair and the other arm braced behind her for support, bare legs bent to the side with no boots in this frame, wearing the white shirt loosely open over the denim pinafore bodice in the sunlit studio.
Tash Williamson in a full-length shot standing at the Chanel entrance, one arm raised straight overhead against the door frame and the other hand on her hip, legs crossed at the ankle with her weight shifted into one hip, a confident half-smile toward the camera, black mini dress with the open coat trailing behind her, thigh-high boots.
Tash Williamson in a full-length reclining pose on a gray lounge chair, one arm raised overhead resting on the seatback, wearing a pale yellow textured slip dress with a draped cowl skirt and white strappy heels, legs crossed at the ankle, a framed black-and-white photograph propped against the wall beside her.
Tash Williamson seated on a rocky outcrop in a tan ribbed bodycon dress, wearing tinted orange sunglasses, one hand resting near her temple and hair and the other braced behind her on the rock, legs crossed with an ankle tattoo visible, soft-focus greenery in the background.
Tash Williamson in a waist-up portrait leaning back against a dark carved-wood antique cabinet flanked by potted plants and a gilt-framed painting, head turned in profile, wearing a mauve cowl-neck knit dress with a plunging draped neckline, long curly ombre hair loose around her shoulders.
Tash Williamson in a waist-up studio portrait against a plain light-gray backdrop, one arm raised resting against her sleek center-parted hair, wearing a black patent bandeau top, high-waisted black pleather zip-front shorts, and matching over-the-elbow patent gloves — the closer, tighter-cropped frame of a two-shot set, gaze directed off to the side.
Tash Williamson in a full-length seated glam portrait against a warm tan studio backdrop, one leg crossed over the other knee with an arm draped across it, wearing a fitted black spaghetti-strap slip dress, long curly hair with a blonde money-piece framing her face, direct steady gaze at the camera.
Tash Williamson in a full-length shot at the Chanel doors, one arm stretched out horizontally along the door's iron bars as she leans her torso into the reach, the opposite hand on her hip, steady gaze at the camera, black mini dress riding high with the coat sleeve slipping off one shoulder, sheer tights and thigh-high boots.
Tash Williamson in a full-length outdoor shot, bent forward at the waist with one hand braced on the hood of a vintage pastel-yellow finned Cadillac, wearing a fitted black sleeveless bodysuit and heels, parked in front of a retro service-station building covered in vintage Sunoco, Fina, and Harley-Davidson signage.
Tash Williamson in a tight waist-up close-up against a blurred brick-and-iron-gate backdrop, one hand raised to touch her jaw against the leather coat sleeve, a direct, sultry gaze at the camera, a gold necklace visible in the plunging neckline, curly ash-blonde-highlighted hair framing her face — the closest crop of the Chanel-storefront set.
Tash Williamson in a full-length shot paused on a marble staircase in an upscale interior, leaning back against the white banister with one hand raised to her jaw and her elbow lifted, gazing off to the side with lips slightly parted, wide-leg burgundy jumpsuit with a sweetheart neckline and a keyhole cutout at the waist, curly hair with blonde balayage falling loose, other hand braced on the railing behind her.
Tash Williamson reclining sideways across lakeside rocks in a cream ribbed halter dress with a circular ring detail at the neckline, one arm bent back to rest her head against her hand, the other propped on the rock, legs folded to one side, sunglasses pushed up into her hair, bare feet, greenery blurred behind her.
Tash Williamson in a close, warmly lit night portrait, a black wrap-style cardigan draped open over her shoulders over a black cropped top knotted in a bow at the plunging neckline, a thin gold pendant necklace at her throat, softly curled hair framing her face, calm direct gaze into the camera with blurred city lights and passing traffic glowing behind her.
Tash Williamson in a full-length polaroid-framed studio shot, standing straight-on with arms relaxed at her sides, wearing the same black patent bandeau top, high-waisted pleather shorts, and long patent gloves as a companion frame, here shown head-to-toe with thigh-high patent boots and hair worn sleek and straight down her back.
Tash Williamson kneeling on top of a vintage black steamer trunk, looking back over her shoulder with hands clasped in her lap, wearing a maroon ribbed-knit wrap top and matching mini skirt, set against a dark teal wall with potted palm fronds — a companion frame to a standing shot in the same maroon knit set.
Tash Williamson reclining on the floor atop a golden satin sheet layered over a floral rug, eyes closed, one arm stretched overhead and legs bent to the side, wearing a metallic gold satin slip dress, warm golden light washing over her skin.
Tash Williamson in a full-length seated portrait on the edge of a white bed framed by sheer lace curtains, hands clasped near her chin with a playful tongue-out expression, wearing a red scoop-neck tank top with wide-leg black trousers and black pointed pumps, curly ash-blonde hair falling loose.
Tash Williamson photographed from behind in a sheer magenta halter dress on the lakeside rocks, twisting to look back over her shoulder with a bright smile, both arms raised overhead adjusting her sunglasses and curls, strong backlighting rimming her hair and shoulders.
Tash Williamson dramatically reclined back in the rattan chair from the same crochet-and-plants set, head thrown back with mouth open and eyes closed, one arm stretched overhead gripping the chair's top rail, one leg kicked up and extended off the seat while the other rests on the floor, strong backlight rimming her hair and silhouette against the plants.
Tash Williamson in a waist-up portrait at night, leaning her head back against a dark doorway in a black long-sleeve dress with a bow detail at the plunging neckline, one arm raised behind her head, curly hair with blonde highlights, soft warm light glowing through the windows behind her.
Tash Williamson standing bent slightly forward with one hand on her hip, looking back over her shoulder toward the camera, wearing the same maroon ribbed-knit wrap top and mini skirt as a companion kneeling shot, here against a dark wood antique cabinet and trailing greenery in moodier, warmer light.
Tash Williamson seated upright on the wooden crate with legs crossed and black thigh-high boots on display, meeting the camera with a composed, closed-mouth gaze and the hint of a smirk, one hand resting on her lap and the other propped on the crate behind her, white shirt open over the raw-edge denim corset, curly balayage hair loose.
Tash Williamson in a retro-style Polaroid photograph with a purple border, shown from behind in a white one-piece swimsuit with a dark geometric print, glancing back over her shoulder toward the camera with a broad smile, hair in a high ponytail with loose curled strands, one hand resting on a wooden ledge in a loft-like room with an abstract painting on the wall behind her.
Tash Williamson bent forward over a stovetop in a home kitchen, glancing back over one shoulder toward the camera with a serious, sultry expression, wearing a teal crochet halter crop top and matching wide-leg crochet pants connected by small gold rings, wavy blonde-balayage curls falling forward, kitchen shelves and a window with closed blinds visible behind her.
Tash Williamson in a Polaroid-style photograph with a blue border, a close medium shot with eyes closed and her chin tilted downward, wearing a white top or bodysuit with a dark abstract graphic print, hair pulled back into a sleek ponytail, softly lit indoors near a window.
Tash Williamson in a full-length mirror shot reflected in an ornate gold-framed salon mirror, standing in profile with one hand resting on her knee and the other braced on the mirror's edge, wearing the same strapless red jumpsuit and wide-leg trousers as the other red-jumpsuit photos, gold watch on her wrist, curly hair down, calm gaze toward her own reflection.
Tash Williamson in a Polaroid-style photograph with a purple border, a full-length front-facing shot leaning against a wooden crate with one hand on her hip, laughing with a wide open smile, wearing a white swimsuit with a bold graphic print, ponytail with loose curls framing her face, a striped bench and dark artwork visible in the background.
Tash Williamson from the same night parking-lot shoot as a companion feature shot, caught mid-motion standing and laughing with her head thrown back and mouth wide open, one hand tousling her hair and the other gathering up her camo skirt at her hip to reveal her leg, a candid, unposed moment against the same lit backdrop.
Tash Williamson in a full-length shot in a home kitchen, looking back over her shoulder while leaning against the counter, wearing a teal ribbed-knit halter top and matching wide-leg knit pants, curly blonde-highlighted hair falling over one shoulder.
Tash Williamson standing upright and facing the camera directly in a home kitchen, hands resting together near the tied waistband of her teal crochet pants, midriff bared through the cutout halter top revealing a belly-button piercing, loose wavy curls framing her face, a window with blinds and a dish rack visible behind her.
Tash Williamson reclining on a cream sofa, one leg raised and propped against the armrest in black pointed pumps, looking toward the camera, wearing a strapless red mini dress, curly hair spilling over the cushion.
Tash Williamson in the same reclining, eyes-closed pose as a companion frame in the denim-crate set — head tilted back with one hand touching her hair and the other arm braced on the crate — but here both legs are down together in front of her wearing black over-the-knee boots, white shirt open over the denim pinafore bodice.
Tash Williamson seated on a white wooden porch bench swing, smiling broadly while holding a white quilted top-handle bag, wearing a lilac tweed jacket and matching mini skirt with white ruffle-trim socks and white platform boots, tinted orange sunglasses pushed up, long box braids, brick pavement and greenery behind her.
Tash Williamson in a full-length shot standing in the Chanel doorway, both arms raised overhead with hands in her hair, back arched and one leg crossed behind the other with her toe pointed against the door, eyes on the camera, black mini dress worn without the coat, sheer tights and thigh-high boots.
Tash Williamson in a full-length shot leaning against a stone pillar at the Chanel entrance, one arm extended straight up along the column and the other hand on her hip, head tilted back with eyes closed in a relaxed expression, black coat open over the mini dress, thigh-high boots.
Tash Williamson in a full-length shot seated again on the Chanel storefront steps, head tipped back into her raised hand near her temple, eyes closed, legs bent and tucked to one side, black coat draped over her shoulders, thigh-high boots with gold heels catching the light.
Tash Williamson in a tight beauty close-up against a blurred, dimly lit background, hair swept up into a voluminous curly updo with face-framing tendrils and soft bangs, wearing an off-the-shoulder garment with a raw denim edge and a hardware zipper pull exposing one shoulder, layered gold necklaces including a snake-motif pendant and gold hoop earrings, gazing directly and steadily at the camera.
Tash Williamson caught in a candid moment outdoors, smiling and glancing off to the side while walking, wearing a fitted white tank bodysuit with a graphic heart outline printed across the chest, long braids over one shoulder, a colorful mural and market stalls blurred in the background.
Tash Williamson standing behind a wooden kitchen chair with both hands clasped together resting on top of its back, leaning slightly forward and gazing directly at the camera with lips parted, wearing a teal crochet halter top with connecting rings baring her midriff and matching wide-leg pants tied at the waist, loose wavy curls, a window with blinds behind her.
Tash Williamson in a tighter close crop of the same kitchen-chair pose as a companion shot, both hands raised behind her neck and elbows out to the sides, head tilted back and chin lifted with her mouth slightly open, the framing cut in from the chest up rather than the fuller waist-and-pants view, teal crochet halter top and loose wavy curls.
Tash Williamson in a full-length studio portrait, wearing a black cropped tank top and wide-leg trousers under an open black blazer draped off her shoulders, a pearl necklace at her throat, holding a small brown monogram Gucci shoulder bag at her hip, black patent pumps, direct gaze at the camera against a plain white backdrop.
Tash Williamson in a near-identical staircase pose to a companion feature shot, leaning back against the same banister, but with her hand shifted up nearer her hairline and her gaze cast more directly toward the camera, chin tucked slightly lower, same burgundy cutout jumpsuit and loose curls.
Tash Williamson in a full-length shot actually descending the staircase mid-step, one hand tucked into her curls and the other gripping the railing for balance, eyes cast down toward the stairs rather than at the camera, a mirrored hallway with dining chairs visible behind her, same burgundy jumpsuit as the staircase set.
Tash Williamson in a full-length portrait in the same black dress and dark doorway as a companion shot, now turned in profile with one arm raised and braced against the door frame above her head, the other hand gesturing downward at her hip, thigh-high stockings and boots visible, glancing back over her shoulder toward the camera.
Tash Williamson in a full-length shot reclined further back against the staircase railing than the other frames in this set, head tilted back with eyes closed, one arm stretched behind her gripping the rail and the other hand near her hair, one leg extended forward as if mid-step, burgundy cutout jumpsuit.
Tash Williamson seated in the rattan chair from the crochet-and-plants set with both legs curled to one side and feet tucked beneath her, one arm raised overhead with her hand resting near her hairline and the other draped over her knee, head tilted back slightly as she looks down toward the camera, softly lit by the sunlit plants behind her.

Beauty

Tash Williamson in an extreme close-up with her chin tilted down and gaze cast downward, soft diffused light haloing dark curly hair streaked with blonde over one shoulder; smoky rust-terracotta eyeshadow, winged liner, and glossy mauve-pink lips catch the light, a thin gold ring threaded through her nostril, and an oversized dark filigree heart-shaped drop earring with a glittered floral overlay dangles past her bare collarbone above a woven beige wrap top.
Tash Williamson in a close beauty portrait looking off to the side, wearing a black faux-fur bucket hat that frames wavy ash-blonde balayage hair falling past one shoulder; warm bronze-copper eyeshadow and glossy mauve-brown lips pair with a small nose ring and layered fine gold necklaces at the collarbone, one arm raised in a black patent-leather opera glove above a black patent off-shoulder top, shot against a plain white studio background.
Tash Williamson in a three-quarter beauty portrait with sleek center-parted hair in blonde balayage, sharp black winged eyeliner and glossy deep-berry lips giving a direct, composed gaze; a small gold hoop earring and layered delicate gold necklaces with a tiny pearl charm rest against bare collarbone above a black patent bandeau top, lit with moody directional side light against a plain backdrop.
Tash Williamson in a seated studio portrait with eyes closed and lips slightly parted, voluminous curly hair fading from dark roots into blonde ombre ends catching dramatic side lighting; one arm crosses over her chest with her hand resting on the opposite shoulder, delicate layered gold necklaces at her throat, wearing a black bralette and trousers against a grey backdrop.
Tash Williamson in a companion close-up shot in side profile, hands clasped together near her jaw, curly blonde-streaked hair falling loose in the same soft window light as a paired image; the same smoky rust eye makeup and glossy lips appear alongside a different statement earring — a dark filigree heart hung with brown wooden beads and a beaded chain tassel — worn with the same woven wrap top.
Tash Williamson in a profile beauty shot bathed in warm golden-hour window light, wavy hair swept back loosely with soft tendrils framing her face; bronze smoky eyeshadow and glossy nude lips pair with dangling gold rope-textured spiral earrings and a chunky twisted gold rope necklace, worn with a ribbed mustard tube top as she gazes off to the side.
Tash Williamson in a close portrait against a plain white wall, one arm raised overhead resting against the wall above her head, wavy hair in a dark-to-blonde balayage falling loose past the shoulders; glossy nude-pink lips, soft winged liner and lashes, a small gold hoop earring, and two delicate layered gold necklaces at her throat, wearing a black scoop-neck tank dress, lips slightly parted in a sultry, direct gaze at the camera.
Tash Williamson in a close studio portrait with her head tilted back and eyes closed, one arm raised overhead, curly hair lit to show a face-framing blonde money-piece against darker roots; deep wine-glossed lips and a soft bronze eye pair with two gold hoop earrings and a thin gold necklace, worn with a maroon open-knit wrap top with a plunging neckline in front of a styled bookshelf mantel with florals and books.
Tash Williamson in a moody close-up lying on her side atop a dark reflective tabletop, her face mirrored in the glossy surface below; curly hair is gathered up loosely with tendrils loose at the temples, softly smoky brown eye makeup and nude glossy lips, a small nose ring and gold hoop earring, wearing a cropped denim jacket over a purple top, low warm lighting with a blurred eclectic background of framed art and a lamp.
Tash Williamson in a close three-quarter portrait backlit by a tall paned loft window, half-up hairstyle with wavy ash-blonde balayage cascading past the shoulders over dark roots, a sultry heavy-lidded gaze with smoky dark eyeshadow and a deep berry-brown lip, small gold hoop earrings and layered gold necklaces with a tiny pearl pendant, wearing a ribbed white tank top and jeans while seated against a mauve couch in soft window light.
Tash Williamson in a tight profile close-up, chin lifted and eyes closed as she rests glossy pink coffin-shaped nails against her jaw, curly half-up ponytail in warm blonde balayage, soft glam makeup with fluttery false lashes and a glossy berry-red lip, gold hoop earrings, a fine gold necklace, and a diamond ring visible on her finger, wearing a red sparkly knit sweater in front of a blurred, gold-ornamented Christmas tree at night.
Tash Williamson in a window-lit close-up with both hands raised to tousle her voluminous curly hair in honey-blonde balayage over dark roots, a soft sultry gaze with shimmery lavender-toned eyeshadow, defined brows, and a glossy nude lip, a chunky handmade necklace of wooden beads, shell, and stone pendants over a woven burlap crop top, daylight streaming through venetian blinds behind her.
Tash Williamson in a close bust portrait against a white brick studio wall, half-up wavy hair in ash-blonde balayage falling past the shoulders, a direct unsmiling gaze with soft smoky eye makeup and a matte brownish-mauve lip, small gold hoop earrings and a thin gold chain necklace, wearing a ribbed white tank top and seated backward on a white stool with jeans visible; a similar half-up style and tank top to a companion loft-window shot, but here set against a plain brick backdrop with flatter studio light and a more square-on pose.
Tash Williamson in a moody studio headshot against a plain charcoal-grey backdrop, full curly hair in a blonde-and-brunette balayage worn loose and voluminous around the face, a direct steady gaze with soft smoky eye makeup, a nose ring, and a glossy mauve-brown lip, delicate layered gold necklaces with a small pendant over a plain white crew-neck tee, dramatic side lighting casting soft shadow across one side of her face.
Tash Williamson in a three-quarter seated portrait in front of a Christmas tree strung with gold ornaments and lights, glancing back over her shoulder with a sultry direct gaze, curly half-up ponytail in warm blonde balayage, soft glam makeup with fluttery lashes and a glossy berry-red lip, both hands crossed beneath her chin showing glossy pink coffin nails and a diamond ring, wearing a red sparkly knit sweater dress with black tights while seated on a white blanket — the same red-sweater, Christmas-tree shoot as a tighter profile close-up elsewhere, pulled back here to show her full seated pose.
Tash Williamson in a close-up portrait against a plain light wall, beaming with a wide open-mouthed smile and bright teeth, long wavy hair in a blonde balayage swept back from the face, glowing dewy skin, soft glam makeup with fluttery false lashes and a glossy nude-pink lip, a nose ring and small gold hoop earring, a delicate pearl pendant necklace over a black top, soft natural lighting.
Tash Williamson in a close-up car selfie, chin tilted down and lips pursed in a soft pout, long wavy hair with grey-blonde balayage falling loose over one shoulder, warm golden eyeshadow with defined winged liner and a glossy brown-mauve lip, a nose ring, a dangling beaded drop earring, and a fine gold necklace, wearing a pale blue halter top in natural daylight through the car window.

Commercial

Tash Williamson seated sideways on a black Honda CBR500R sport motorcycle in a dark studio bay lit with dramatic red and green gels, one hand pressed flat to her chest, chin lifted with a direct, sultry gaze into the camera; wearing a fitted dark olive long-sleeve turtleneck bodysuit and black boots resting on the bike's foot pegs, hair slicked back, small hoop earrings.
Tash Williamson in a three-quarter studio portrait against a plain warm-gray backdrop, chin dipped and eyes cast down with a calm, closed-mouth expression, dramatic side lighting catching her face and voluminous curly balayage hair; wearing a fitted white crop tee and blue jeans with both hands tucked into her back pockets, a small gold nose ring and layered fine gold necklaces at her throat.
Tash Williamson in a warm, backlit studio headshot from the same white-tee session as two companion shots, head tilted with arms crossed, laughing with a wide open smile and bright teeth; the same voluminous curly balayage hair and layered gold necklaces, golden rim light outlining her hair against the plain backdrop.
Tash Williamson crouched low in front of a Christmas tree topped with a glowing star, one hand raised holding the chain strap of a small black crocodile-embossed handbag, meeting the camera with a cool, composed gaze; wearing an oversized red flecked knit sweater, sheer black tights, and black over-the-knee boots, gold rings and a layered gold necklace at her collar.
Tash Williamson laughing brightly with her eyes closed and head tilted down, warm directional sunlight raking across her face; wearing a white collared button-down layered under a dark denim zip-front pinafore dress with raw frayed seams, curly dark hair with soft highlights, set against a plain sunlit wall with a wooden ledge at the edge of the frame.
Tash Williamson in a three-quarter studio portrait from the same white-tee session as two companion shots, laughing with her head tilted and eyes closed in a genuine, joyful expression, one hand tucked in her jeans pocket, curly balayage hair loosely tousled, warm-gray backdrop and soft directional light.
Tash Williamson seated on a tan leather couch against a white brick wall, one arm raised with her hand resting near her temple as she glances down and to the side with a calm, unsmiling expression; hair pulled back into a half-up style with loose face-framing pieces, wearing a light gray ribbed halter top and high-waisted jeans, a delicate gold necklace and small hoop earrings.
Tash Williamson caught mid-motion, one hand tousling her wind-blown hair as she leans back over the arm of a blush-pink velvet chair with a bright open smile, wearing a black strappy bodysuit, black leggings, and black platform sneakers, set against a glossy pink paneled studio wall — a playful, energetic action shot rather than a posed portrait.
Tash Williamson in a candid Polaroid-style behind-the-scenes shot, seated in a black studio chair with one leg crossed, a calm, composed expression looking directly at the camera; wearing a white strapless top and distressed blue jeans, wavy hair loose past the shoulders, studio lighting equipment, cords, and a whiteboard visible in the background.
Tash Williamson smiling brightly outdoors on a restaurant patio, walking with one arm swinging and a gold watch visible on her wrist, wearing a white halter top tied at the waist over a tan textured mini skirt and white sneakers, wavy hair loose, string lights and flowering planters framing the entrance behind her with a round sign reading "North" on the building.
Tash Williamson seated in the same blush-pink velvet chair and glossy pink paneled studio as a companion shot, one arm raised gracefully overhead, gazing calmly toward the camera; wearing a black scoop-neck cami top, black leggings, and black ankle boots, a thin gold necklace at her throat.
Tash Williamson walking and smiling outdoors past a colorful mural of a vintage cityscape, holding a wafer-cone ice cream in one hand and a white top-handle bag in the other, a light gray cardigan slipping off her shoulders over a white wrap top and cream drawstring trousers, sunglasses pushed up into her hair, white sneakers.
Tash Williamson seated upright in the same blush-pink velvet chair from the pink-paneled studio set, legs crossed at the knee with black ankle boots, one hand resting on her knee, meeting the camera with a steady, composed gaze; wearing a black scoop-neck bodysuit, hair loose in soft waves with a gold hoop earring visible.
Tash Williamson seated on a cluttered metal workbench inside an auto garage, one leg drawn up and the other braced against the table edge, one hand raised near her chin in a pensive, camera-aware expression; wearing a black tank top and olive cargo-style pants, loose curly hair, tools, parts bins, and a red-and-white "Havoline Sold Here" sign visible on the wall behind her — a cinematic, film-still mood rather than a straight studio shot.
Tash Williamson in the same auto-garage workbench set as a companion shot, caught mid-motion twisting toward a wall-mounted shelf of tools and parts; same black tank top, olive cargo pants, and loose curly hair, workbench clutter and the "Havoline Sold Here" sign in the background — an alternate angle from the same cinematic sequence.

Fitness

Tash Williamson in a full-length mirror selfie taken in a home living room, holding up her phone with one hand while her hair is styled in two long braids draped over one shoulder, wearing a black bandeau-style sports bra and high-waisted black leggings, barefoot on a wood floor, a smartwatch on her wrist, a gray couch, houseplant, and jewelry display visible in the background.
Tash Williamson lounging on the edge of a backyard pool, one leg kicked up out of the water and the other bent beneath her, sunglasses on and braided hair falling over one shoulder, wearing a white ribbed bikini, a colorful "Scuba Shop" beach house with painted destination signs and a shark cutout visible behind her, pool floats resting nearby.
Tash Williamson walking along a rocky riverbank with a wide, fast-flowing glacial river and snow-capped mountain peaks behind her, wearing a white long-sleeve athletic top and matching leggings, one arm swinging as she strides forward — a candid, distant hiking snapshot rather than a posed shot.
Tash Williamson in a gym mirror selfie, phone held up in one hand and the other resting on her hip, wearing a light taupe sports bra and black high-waisted leggings, curly hair loose past the shoulders; the reflected gym floor shows workout equipment and another woman stretching on a mat in the background.
Tash Williamson in a gym mirror selfie, one arm raised flexing her bicep while the other holds up her phone, wearing a taupe sports bra, black leggings, and a black fanny pack worn at the waist, hair pulled back; the reflected gym shows workout machines, a large tire, and another woman exercising on a mat nearby.

Art

Tash Williamson reclining on her back on a gold satin sheet spread over a patterned area rug, one leg extended straight up and propped against a wooden stool while the other bends beneath her, both arms crossed over her chest, head tilted back with her face turned away from the camera; hair swept up, warm low lamplight casting long shadows across the room.
Tash Williamson in a warmly lit Instax-style photograph, leaning toward the camera with lips parted and one arm reaching out of frame in a soft motion blur, wavy blonde-highlighted hair falling loose; wearing a white strapless tube top and low-rise jeans, a gold necklace at her throat, moody studio lighting equipment visible in the shadows behind her.
Tash Williamson in an Instax-style photograph against a plain white studio backdrop, standing with a direct, composed gaze; wearing a black patent bandeau top, matching high-waisted patent trousers with silver zip pulls, and long black patent opera gloves, sleek straight hair with blonde balayage falling past her shoulders, a delicate gold necklace at her collarbone.
Tash Williamson in a Polaroid-style photograph with a solid pink border, leaning back against a graffiti-covered wooden chair with one hand raised into her high ponytail, wearing a white one-piece swimsuit hand-drawn over with bold black abstract face and shape outlines, soft ambient light in a dim room with a striped couch visible behind her.
Tash Williamson in a heavily grained, vintage VHS-style photograph with a glowing "PLAY" icon in the corner, seated on outdoor stone steps holding a small black handbag in her lap, wearing a light blue plaid blazer over a black turtleneck and matching mini skirt; a small corgi sits on the steps behind her, a stack of books resting beside her on the stairs.